Dissertation > Art > Movies, TV Arts > Film,television, art theory > Television and movies, reviews, appreciate

The Research of the Yibai Zhang’s City Movie on Creation

Author TanZuoZuo
Tutor WangMin
School Northeast Normal University
Course Radio and television Art
Keywords City film Zhang Yi Bai Marginal Identity Narrative Metaphor montage Commercial films
CLC J905
Type Master's thesis
Year 2011
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There is a natural link between the movie and the city, precisely because of this relationship has produced one of the most meaningful topic in the history of world cinema development. The city as a symbol of modern civilization, the information center and transportation hub, a gathering place for the political and economic culture. Provides a wide space, and unlimited opportunity for personal development, the desires of the individual are met. The multi-dimensional nature of the city itself and the complexity, we will decide it will be multi-angle reflects the social and human possibilities. Read the city can make people write with reference to the reality of life and reflect on all aspects of life through the city, while in the pursuit of self can also see the urban complexity of the relationship. We can say that the modern transformation of Chinese society provides an important basis for the development of China's urban movies. Conversely, the city movie not only record reflects modern urban life, at the same time a large extent influence the relationship to a new space in the city of culture, and social and cultural. Zhang Bai was directed by one of the Chinese city movie creation, and is very representative of the city film director. His own movie depicts the typical picture of a contemporary Chinese city, a masterpiece of the record of the spiritual world and the spiritual world of the contemporary city people. His film, sad, poignant feelings everywhere. But not a lack of love and warmth, romance and warmth. Tone and sometimes rich and sometimes elegant, sometimes clear through the transparent screen sometimes red-letter, accompanied by wonderful music, a vivid character so that the audience food for thought. This paper attempts to Zhang a white director of the city movie as the object of study, to interpret the complex relationships between the characters in the movie, as well as the text of imagination and social reality in the image of the city he built, through the analysis and study of their movies, and Discover behind the cultural significance of this relationship. In the research process, which combines aspects of the theory of urban studies, social psychology, communication studies, aesthetics and narratology. By implication, narrative features Zhang a white director movie theme and mirror language style, combined with a holistic grasp and systematic analysis of the overall writing style of the sixth generation director Zhang White directed city imaging world. Came to the conclusion: the discovery of a sixth generation director Zhang a white director, including the creation of some of the co-existence of the problem, as well as the success of Zhang a white director in the creation of urban movie affirmed summary.

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