Gods and rituals
|School||Central Academy of Fine Arts|
|Course||Chinese art history.|
|Keywords||Zhonghua Science Press Mural art Of idolatrous society Cultural Relics of Traditional Operas Thirteen Classics Houtu Shanxi Kong Yingda Culture and Arts|
This paper is a case study , a total of four chapters Tamura Our Lady of Fenyang the temple Sheng Mudian murals made ??. The thesis from folklore , inscriptions, frescoes images to inspect initial recognition \To further prove this point , then Sheng Mudian murals ever been \survey , final confirmation of this judgment . The second chapter Sheng Mudian murals immortal build system analysis , pointed out that the the the murals performance of Houtu with Chenghuang , land , Alpheus top-down hierarchical relationships , and they reflect the religious beliefs detail . Chapter III for the particularity of the problem of the the Sheng Mudian murals Figure this style to explore , learn \u0026 Opera , music , folklore research methods , and existing research results , Sheng Mudian murals depicting the folk for the worship of the soil behind the empress held of idolatrous society activities . On this basis , the fourth by a lot of official history , the Local Chronicles on the origins of the soil behind the belief propagation process interactive folk and country worship as well as the reasons for the Fenyang region of the faith flourish detailed analysis . The Sheng Mudian mural one hand , reflects the people hope sub - Priliminary , access to safe and good weather ; On the other hand , it reproduces limitless disaster, civil society in order to pray for the ritual of exorcism epidemic of idolatrous held club . Fenyang the Our ??Lady temple Sheng Mudian murals as Jinzhong and Jinnan survived one of the few , and the earliest age of murals image on Houtu faith in , it is undoubtedly in the origin and evolution of this region for the study of the faith provides the most intuitive basis .