Dissertation > Literature > Chinese Literature > The body of literature reviews and research > Dramatic literature

The Similarities and Differences of Hermit Ideology in Yuan Drama between Immortal Taoism Drama and Reclusive Drama

Author WuXingFang
Tutor TianTongXu
School Shanxi University
Course Ancient Chinese Literature
Keywords YuanQu Hermit mood Confucian Masquerade Taoist pass away Proper way no way are hidden Society as a whole big escape
CLC I207.3
Type Master's thesis
Year 2004
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The the Mythological YuanQu in seclusion music channel drama showed the common seclusion mood . As seclusion ideology between the two , often mixed staggered seclusion the music channel drama Confucian Masquerade ideas , more performance seclusion ideological characteristics of Taoism ( teach ) ; The Mythological Taoist die ideas , almost Confucian hermit thinking goes , showing the characteristics of Confucianism and Taoism . Therefore the academic discourse YuanQu hermit mood , often confuse Mythological seclusion Lock Road drama , in fact, both have their own characteristics : Mythological mainly to Taoism ( teach ) the Hermit thinking the main holders of the Yuan social negative attitude , advocating that the outcast, thinking of Taoism , the longing for an illusory world of fairy parties themselves ; seclusion Lock Road drama performance Confucian thinking of recluse , they mainly critical of the Yuan social preached Confucian Masquerade thinking , yearning is a nothing more than a utopia . Seclusion mood the YuanQu Mythological and seclusion Lock Road drama show is not entirely the same as the ancient hermit thought , but has its own characteristics of the times . Yuan Dynasty recluse , not only no way hidden , the proper way is also implicit ; and its seclusion is not an isolated phenomenon , large escape of the whole society , thus forming a unique YuanQu Seclusion Culture .

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