Dissertation > Art > Painting > Painting techniques > Chinese painting techniques

Mountain and Flowing Water

Author ZhangJiaZuo
Tutor ChenYuanLong
School Tianjin Normal University
Course Fine Arts
Keywords Landscape Natural Artistic conception Origins
CLC J212
Type Master's thesis
Year 2007
Downloads 162
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This article is based on the traditional Chinese painting and the aesthetic spirit of the overall research methodology to extract natural aesthetic spirit in the traditional Chinese landscape painting. Chinese landscape painting is an important part of traditional Chinese painting, in theory, since the the Six Dynasties origin, after a long process, to the Five Dynasties and the Song Dynasty, Chinese painting has become the main body, and mature and complete, Ming and Qing dynasties and Europe painting began to have intercourse with each other had some impact. Ancient landscape paintings are the expression of an image of the painter of nature as well as the relationship of man and nature. Chinese people on the landscape so give love comes from the philosophy, performance naturally in large part to express a philosophical thought. From the philosophical system Laozhuang until today, the natural aesthetic ideology has been associated with human life. Of course, the longing of the natural landscape is not just a general sense of appreciation, here there these words of \Own text recorded history since the ancient Chinese had days with nature seen as them about the problems of the world objects with the axiomatic basis, which is like Zhao Ji this emperor also same like depicting the natural landscape of the reasons, in such a rights hearts, \Similarly, different periods, different historical contexts painters both is different, or mood is different, their feelings, personality, and attitudes of society at that time, focussed on the natural landscape and hope for the future through the screen. show it. This paper is divided into three chapters. The first chapter is written about the concept of natural and painting, start with the Taoist philosophy, painting theory from the Wei, Jin and Southern and Northern Dynasties, the Tang Dynasty, Five Dynasties and Song Dynasty, Yuan, Ming and Qing four historical period, the painter Tiba addressing human the relationship between landscape painting and nature; landscape painter selected representative of various historical periods and works to illustrate the natural landscape painting embodies and importance, is the painter of the screen under the guidance of the natural aesthetic ideas in practical effect; Chapter III discusses the relationship between the meaning of landscape painting, and the natural landscape and mood, mood said to be an important part of Chinese Literary Theory is an important area of ??aesthetics, is the pursuit of the highest in Chinese landscape painting The goal of this chapter is to from four important component of the landscape painting imagery, artistically, scenario, pen and ink to elaborate the close ties of the natural landscape and mood.

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