Dissertation > Art > Painting > Painting techniques > Painting techniques

The Explore of Chinese Oil Painting in New Realistic Language

Author ZuoShaoJun
Tutor ZhangGuoQiang
School Zhengzhou University
Course Fine Arts
Keywords Chinese Oil Painting New Realism language Analysis Research Times Academic
CLC J213
Type Master's thesis
Year 2011
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Painting into our country only more than 100 years of history . The turn of the century , a large number of artists constantly to Europe, America , Japan to study painting, oil painting from the West back to China , combined with Chinese culture and real life . Explore a painting become the main form of painting road . Realism and even the New Realism easel painting has been the mainstream of academic teaching . After the founding of New China , the Chinese oil painting in the process of nationalization of its own distinct characteristics . Chinese oil painters adhere to the road of realism creation advocated literary and artistic creation for the workers, peasants and soldiers during the Cultural Revolution , the service of politics , deviated from the true track of the realism ; experience of Soviet-style painting in the fifties and sixties ; eighties breakthrough , especially by Luo Zhongli as representative of the \The 1990s , the Chinese Oil Paintings by leaps and bounds, the formation of a number of representative the New Realism language painter . This thesis to the study of the New Realism language painter , realist painter Luo Zhongli , ChenDanQing such as specific and detailed analysis research , analysis studies of neo - realist painter Xu Wei Xin , Yu Hong , Liu Xiaodong , Xin East Wang expand the use of works analysis and comparison , historical review , combing , summarized , discusses the characteristics of realist painting language and the new language of realist painting , the value and significance . Language and realistic painting language of neo - realism painting from an aesthetic point of view . Carried out a detailed analysis of a case - by - case analysis the XIN DONGWANG Oil Paintings language . Finally, the conclusion - the language of painting with the times . On the edge of the painting on the demise of \Has a strong practical significance . Enrich the academic research in related fields , to some extent , promote the healthy and orderly development of Chinese painting .

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