The Explore of Chinese Oil Painting in New Realistic Language
|Keywords||Chinese Oil Painting New Realism language Analysis Research Times Academic|
Painting into our country only more than 100 years of history . The turn of the century , a large number of artists constantly to Europe, America , Japan to study painting, oil painting from the West back to China , combined with Chinese culture and real life . Explore a painting become the main form of painting road . Realism and even the New Realism easel painting has been the mainstream of academic teaching . After the founding of New China , the Chinese oil painting in the process of nationalization of its own distinct characteristics . Chinese oil painters adhere to the road of realism creation advocated literary and artistic creation for the workers, peasants and soldiers during the Cultural Revolution , the service of politics , deviated from the true track of the realism ; experience of Soviet-style painting in the fifties and sixties ; eighties breakthrough , especially by Luo Zhongli as representative of the \The 1990s , the Chinese Oil Paintings by leaps and bounds, the formation of a number of representative the New Realism language painter . This thesis to the study of the New Realism language painter , realist painter Luo Zhongli , ChenDanQing such as specific and detailed analysis research , analysis studies of neo - realist painter Xu Wei Xin , Yu Hong , Liu Xiaodong , Xin East Wang expand the use of works analysis and comparison , historical review , combing , summarized , discusses the characteristics of realist painting language and the new language of realist painting , the value and significance . Language and realistic painting language of neo - realism painting from an aesthetic point of view . Carried out a detailed analysis of a case - by - case analysis the XIN DONGWANG Oil Paintings language . Finally, the conclusion - the language of painting with the times . On the edge of the painting on the demise of \Has a strong practical significance . Enrich the academic research in related fields , to some extent , promote the healthy and orderly development of Chinese painting .