Dissertation
Dissertation > Art > Photographic Art > Photography Art Theory > Photography art creative methods

Talking about Chinese contemporary art photography ideas expressed reasons for not thoroughly

Author LiLi
Tutor LuoZuo
School Nanjing Normal University
Course Photography
Keywords Conceptual photography Chinese photography post-modernism mainstream photography integrity
CLC J404
Type Master's thesis
Year 2011
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China’s concept of photography in the nineties, at first, it is not been the attention, in recent years, but was extremely active, from the West and China, the social background of the internal point of view, China’s concept of photography, due to special historical reasons, when the re-line with international standards, they found that arts and culture with western culture there is a great dating, but even directly across the modern doctrine, we have easy access to a convergence of post-modernism. This concept formed under the conditions of photography, we can imagine there will be much hindered. Together with China’s current situation and different levels of Western culture. So I think that China now has the so-called concept of emergence and development of photography, blindly thinking and form to emphasize the so-called novel, ignoring the form and content, the relationship between emotion. Lack of adequate philosophy, aesthetics reserves, the Western post-modern theory and art history of misreading, causing superficial of contemporary arts and culture and mode of orientation. Therefore, the concept of conceptual photography in China is still at the exploratory stage, and can not be truly called the concept of photography. However, these years, China’s concept of photography is having a very lively situation. Economic globalization and cultural globalization, many temptations, market incentives, the West’s appetite for doing work of art is dependent on overseas markets, the emergence of a "New Salon" of the proliferation of photographic tendencies. However, this art appears to have the usual meaning of the "Chinese Photography" has little relevance. Developed a concept of photography and photography in China "unrelated" cultural phenomenon.Artists concept of the creation of big ideas making the cost of large photographs, some of the artist so economically affluent. Most of them are with the Western artists to meet the internal demand, but China has not recognized by the mainstream art world, so in a way to meet the Western embarrassment. The problem is excessive dependence on the West, from the indigenous people.Has experienced three stages of post-war development, has a long history and cultural background in China, now have full conceptual photography and the West has opened three decades of distance, far behind the western end of postmodernism parties, internal and external cultural environment affected by many factors, China’s concept of photography did not find the performance of their language should have.

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