Dissertation
Dissertation > Art > Music > Instrumental music theory and performance of law > Keyboard, reed music theory and playing method > Piano

Musical Analysis of Kuhlau’s Sonatina

Author DanLiangZi
Tutor HouKangWei
School Shandong University
Course Musicology
Keywords Library labor Sonatina Music analysis Piano Op.20 Op.55
CLC J624.1
Type Master's thesis
Year 2011
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Sonata (Sonata) Italian sound mean , early refers to music written specifically for a musical instrument , for the difference between the sound of music ( Cantata ) , this sonata - writing instrumental music divertimento . The sonata form is a structure in the form of music , including the exposition , expand the Department of Ministry and reproduction of three parts . The Sonatina (Sonatine) the relatively Sonata , the smaller musical structure , music, image is more concise , the music plain Sonata generally 2 to 3 movements . Piano Sonatina piano learning compulsory . Sonata form in the classical era musical form one of the most perfected . The main features of the Sonata musical form in music performance is that there are two contrasting theme , and the resulting expansion . Finally have a theme reproduction . Contrast and expand to provide a powerful driving force of the music development , greatly increase the expressive power of music . Advocating rational neoclassical music , emphasis on moral values ??, structured works of artistic technique is simple and succinct , so the music of the Classical Music through a high degree of formal beauty , so that the performance reached some kind of ideal , and keep pure beauty and balance. European music into the classical era , new thoughts, feelings, ideas. Contradiction , struggle , reflecting the music require thinking in the art of music the deepening and performance of the inner world of deepening . Sonata form , just the possibility of this kind of music performance . The text is divided into three chapters . Introduction expounded the significance of the thesis topics and domestic status quo ; Chapter two , Section I introduces the origins and historical development of the sonata , and the characteristics of each period , the life of the second Shao composer and creative overview ; second chapter three , the first section introduces the background of the history of creation of the library labor Sonatina , Section II , and the third through charts and musical form Figure the library labor works 22 three Sonatina works 55 three first Sonatina sentence by sentence analysis ; Chapter two , the combination of the Western aesthetic point of view and the traditional Chinese philosophy , to research libraries labor Sonatina aesthetics connotation ; epilogue macro concise summary of the full text of keynote .

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