Dissertation > Art > Music > Music Theory > Folk music research

Since Reform and Opening Zhuang Folk Song and Innovation

Author LiAnRan
Tutor GaoMin
School Guangxi Normal University
Course Curriculum and Pedagogy
Keywords Zhuang folk song Heritage Innovation Guangxi minorities singer Ban
CLC J607
Type Master's thesis
Year 2011
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Zhuang folk songs by the working people of collective creation, is a specific form of the Zhuang people living expression of thoughts and feelings, and sent good wishes indispensable. Since the reform and opening up, with the strong impact of the mainstream culture of non-mainstream culture in the socialist market economic environment, the Zhuang folk music education and communication process appear the intensified \signs. Therefore, in-depth study of the the Zhuang folk heritage since the reform and opening up mode and innovative experiences, seek appropriate to the path of development, has important practical significance. This paper first outlines the the Zhuang folk music heritage of the most important three basic modes: family's individual heritage, represented by folk heritage character song division and women; social-groups tradition, the the Cantabile Wei, Song Church, Folk Song Competition activities : modern media heritage, mainly through television media, the Nanning International Folk Song Art Festival, the Internet and cultural tourism is embodied. Whether special singing folk songs folk singers or farming at home Zhuang women Songs Fair activities from the traditional to the modern Nanning International Folk Song Art Festival, cultural tourism, are shouldering the responsibility of the historical heritage of folk songs. March 17, 1984, co-founded by the Guangxi Zhuang Autonomous Region Ethnic Affairs Commission and the Department of Culture, Guangxi minorities singer Ban innovative development in the manner of Zhuang folk song heritage. This thesis singer classes, for example, from the founder of the historical development of the status quo was initiated field investigations of the founder of the singer classes, mainly teachers, students and the present head of depth visit, citing its inception singer class students, teachers, training rules the effectiveness, focusing on the contribution made by the Zhuang folk song heritage road, also on the successful experience of the singer classes with the inadequacies of a comprehensive summary for future reference and learn from. Secondly, cited the work of the major dilemmas of Zhuang folk song heritage since the reform and opening up. Increasingly highlighted as inheritors of aging, serious fault, sung contents simplify and reduce the level of other issues, and the causes of the crisis of the layers of analysis, interpretation hide all the essential factors: inhibition of folk songs Development Zhuang text lag behind the phenomenon, values changes in song dike mate \Finally, by drawing on the founder of the successful experience of the singer Ban from Lively Lineage, innovation and development, and personnel training analysis at the local college founded compatible with modern society, the necessity and feasibility of national folk music heritage and innovation talents training base and propose effective solutions to drive the research work of the national music culture through this platform.

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