Blood and Fire : Left Wing in the 1930s the main research
|School||Nanjing Normal University|
|Course||Contemporary Chinese Literature|
|Keywords||the Left-wring novel in the 1930s subjectivity the conflict in subjectivity the subjective construction aesthetic purpose|
This paper is to study the Left-wring novel in the 1930s from the angle of subjectivity and the construction of subjectivity,in order to break the limit of the traditional studies focusing on the materials and styles and disclose the forming of conflict in the subjectivity of the Left-wring writers and the character of the subjective construction of the Left-wring novel.The main body of the paper is to analyze problems from the angles of conflict in the subjectivity of the Left-wring writers,the subjective construction of the Left-wring novel and the aesthetic pursue.The controversy on literature in the 1930s resorted to the proletariat ideology to make awakened bourgeois be the subjectivity in the revolution literature or the Left-wring literature which caused the fission and tension inside the subjectivity of the Left-wring writers. This paper presents the forming of conflict in the subjectivity of the Left-wring writers by the study on the procession.The conflict of the writers is sure to manifest itself through the writings. The limit of subjectivity of the Left-wring writers was reflected in the defects and the special method to create the characters of the two classes,namely,the proletariat and bourgeois,which is the main part of the analysis and study on the subjective construction of the Left-wring novel.The studies on the Left-wring novels before attributed the narrative pattern,aesthetic style and the transition to the controversy or the trend of thought of the Left-wring novel rather than the trace within the novels.This paper finds the intimate relationship between the subjective construction and the forming and changes of the aesthetic taste of the Left-wring novel from the angle of the subjective construction of the Left-wring novel.This paper discusses novels of the Left-wring from the angle of subjectivity in order to prove that though the Left-wring novels are inferior in both the ideology and aesthetic aspect,they are the most outstanding achievement in the 1930s.The conflict in the subjectivity of the Left-wring writers resulted in the set of characteristics of the subjective construction of the Left-wring novel. The aesthetic pursue which was included in the characteristics determined the aesthetic style and taste of the Left-wring novel.