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In modern Japanese literature of the China image - to "full", "Han everywhere", "Shanghai China Travel" as an example

Author LiLe
Tutor LiGuangZhen
School Shandong Normal University
Course Japanese Language and Literature
Keywords
CLC
Type Master's thesis
Year 2013
Downloads 179
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Sino Japanese two countries because of geographical and historical reasons of long-term exchanges between special, "China" is a Japanese literature material, also be numerous Japanese writers of the description object. Especially in modern times, many Japanese writers to Chinese traveled, and takes it as the important content of creation. At the time of the Chinese, suffered imperialist countries bullying, The people are destitute., a dilapidated scene, these are fully reflected in the Japanese writers in literary works. This paper selected three famous writers in the history of modern Japanese literature, Natsume Soseki Akutagawa Ryunosuke, Yokohikaru Rikazu to Chinese as the writing object written works as the object of study, combined with the China era background, tries to objectively reveal the image Chinese modern Japanese writers understanding of China and pen. This paper consists of five parts. Introduction the purpose and significance of research, literature review, research methods, innovation and future research. The first chapter of Natsume Soseki's Chinese blogs -- "China image description with Han everywhere" in the analysis of. "Roaming" full Han Natsume Soseki in 1909 should be "company president" village is the public invitation, visited South Korea and China northeast, based on their own experience the creation of travel works. At that time the Japanese government's aggressive foreign policy, in late nineteenth Century, began to send diplomats and soldiers. Natsume Soseki to China northeast traveling all around, startled by China be split broken decaying view, through the description of the "China image" travel notes, showing obvious weariness, showing his deep sympathy for the people of Chinese and criticism of the reality of war. The second chapter explores the image of Akutagawa Ryunosuke in "China Travel" China portrayed in. Literature comes from life. In Japan at that time a "China travel heat" natural spread to literature. Akutagawa Ryunosuke was China classical literature gradually, has been a long cherished wish to travel to China. In 1921 Akutagawa Ryunosuke was sent to the Osaka daily news Chinese. The classic are perfect for China imagination and eyes see a decline of reality, this huge gap to Akutagawa Ryunosuke in a big blow, and he saw Chinese intellectuals but let him see the rise of hope China. Through these "Chinese image" can see Akutagawa Ryunosuke cool reason and Japanese literati rare sense of justice. The third chapter novel "on the image of Shanghai in Chinese Riichi Yokomitsu" discussed and analyzed. Persuaded by Akutagawa Ryunosuke, at the same time in order to new feeling to gradually decline of literature to find a way out, Yokohikaru Rikazu decided to go to a China travel, his travel destination was the largest colonial city -- Shanghai China. Riichi Yokomitsu used personification, metaphor, repetition and so on new sensation school unique technique of expression, depicting the powers of China China oppression, and the revolutionary masses and Communists image. The conclusion part summarizes and concludes this paper. In short, this three piece of literature, Meiji, Taisho, respectively during the period of Showa's representative, write in Chinese travelling works. Both objectivity high blogs or the thoughts and feelings of full novels are clearly reflects the author's world outlook, outlook on life, view of literature. Chinese modern image seen from "the other eye", with "others" thoughts and feelings of the brand, to our understanding of modern Japanese "China view" with high research value.

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