Dissertation > Art > Music > Music theory and methods > Drama, music theory > Opera,musical Music

Mozart’s Opera"La Clemenza Di Tito" of Mezzo-Soprano Aria "Parto Parto" Singing Analysis

Author AoJianXin
Tutor JiaoChunMei
School Shanxi University
Course Music
Keywords Mozart mezzo-soprano Composing characteristics Aestheticcharacteristics Singing analysis
CLC J617.2
Type Master's thesis
Year 2013
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Mozart is the word’s great composers in the history of music, is the18th century Europe Vienna classical pie is one of the pioneer. His life created a great number of works of music, opera creation is his most important contribution. His opera content is rich, has the time characteristic.Music a beautiful light, elegant and pure, and pay attention to depict characters and reflect the character of inner conflict. On the singing style also requires natural、relaxed、beautiful、clear. So his opera exuberant vitality, and was deeply loved by people. Two-act operas " La Clemenza di Tito " is the last of a Mozart opera, music characteristics of fully displayed his mature period. Especially the mezzo-soprano arias"Parto Parto" not only embodies the elegant demeanour of Mozart’s music, also the mezzo-soprano voice gracefu、vigorous and without losing dexterity、elastic characteristics show incisively and vividly, make mezzo-soprano and coruscating on the opera stage arts. Study Mozart opera aria " Parto Parto " of music characteristic and the mezzo-soprano voice characteristics and singing style, help to better singing mezzo-soprano in the works of Mozart’s opera aria. To sing this song after the works of vocal music study, provide a reference for some of the personal experience.

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