Dissertation
Dissertation > Art > Arts and Crafts > China Arts and Crafts > Ceramics, lacquer

Comparison of Tang Sancai and Nara Sancai

Author LiPeng
Tutor LiLeiYing
School Jingdezhen Ceramic Institute
Course Fine Arts
Keywords Tang Sancai Cultural transmission Nara Sancai comparison
CLC J527
Type Master's thesis
Year 2013
Downloads 24
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Tang Dynasty prosperous economy, the advances of modern culture and acomplete system, a strong appeal across the sea east of Japan, known as Japan is trying toimitate a model. Learning by sending students to the Tang Dynasty and extension inviteall kinds of talents of the Tang Dynasty to Japan to teach a variety of means, thecomprehensive transplant Tang Dynasty culture the philosophy, heritage system,literature and art, astronomy and the calendar, medicine, architecture, culture, science andtechnology in various fields, as well as all aspects of the basic necessities of life, customsand social life and entertainment are all strongly influenced by the culture of the TangDynasty. Emerged in the Sino-Japanese cultural exchange process, a large number ofJapanese students to learn the Tang Dynasty cultural mission or studying Monk alsoappeared as lifelong mission to spread the Tang Dynasty culture like a monk JianzhenTang Dynasty distinguished professionals representatives, they search for knowledge thebull by the horns, crossed the sea directly Chang’an eagerly learn from the rich Culture ofTang Dynasty, also ideology and culture and the feudal system in China was cited back toJapan to promote Japan’s political, economic and cultural development and progress. It isthrough their tireless efforts, before the formation of the prosperity of the Tang Dynasty,the Sino-Japanese cultural exchanges.The tide of this cultural exchange, Japanese culture has taken overall Tang of theapproach, not only absorbed the Tang Dynasty clothing, construction, Sancai materialthings, but also learned the art of the production of these substances things. SancaiDatang symbol of nobility, embodies the the Datang ideal indelible. Tang Dynasty wastrying to imitate the culture and politics of the Nara period, began to imitate the ChineseTang San Cai naturally. The the the Japanese potters research Sancai the system of law, isbasically the same process with Sancai, made of a pottery resembles Sancai home of thefamous Japanese Ceramics Research hill Fujio call Nara sancai ".This article will focus on the comparative study of the theme of the three-color,tricolor glaze and Nara, the first classified and summarized organize complexinformation, and then use the analysis and comparison of the effective means to study thesimilarities and differences of the three-color Sancai and Nara. Content schedulingSancai overview, including staging, origin, firing, background, preliminary to the peopleto show the quintessence of ancient ceramic products. Secondly, we explore of Sancai themanufacturing process. Once again, from the formation of cultural factors in Japaneseceramics, Tang San Cai exported to Japan to investigate the characteristics of Nara firing of three-color background and Nara, three-color art. Finally, the key analysis comparingthe similarities and differences of the three-color, tricolor glaze and Nara: use functionsand modeling point of view, the former is mainly used for sacrificial victims funeraryobjects, a wide range of complex shape, which is mainly used for funerary goods, widesingle shape simple; from Taizhi engobe of view, the end of the former tire soil ironcontent, Taizhi white commonly used makeup soil, the latter a high iron content, thecarcass into red eggshell or off-white, do not use make-up of soil; glaze see, the formeruse more glaze, with bright colors and gorgeous, which uses color gray glaze; Judgingfrom ornamentation, former ornamentation colorful, the latter than the monotonousornamentation; varied decorative techniques from the point of view of the decorativetechniques of the former while the latter do not have too much decoration techniques;addition, from the selection of the chemical composition of the glaze, decorativetechniques, ornamentation pattern and firing process in detail Sancai and Nara sancai doa systematic interpretation.This subject is based on the above investigation, the main line of three-color, werethe origin of the three-color Sancai and Nara, derived, the direction of the firingcharacteristics to be warp knitting while research be lateral to the angle of theSino-Japanese cultural exchangesweft decoding and combinations, hoping to get a newunderstanding of the artistic value of Sancai.

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