Dissertation
Dissertation > Art > Painting > Painting techniques > Chinese painting techniques

Exploration and Practice of Professional Color Composition Teaching in Higher Normal Colleges in Chinese Painting

Author TanJing
Tutor XuFang
School Guangxi Normal University
Course Subject Teaching
Keywords Normal Colleges and Universities Chinese painting teaching Color composition Teaching Reform
CLC J212-4
Type Master's thesis
Year 2011
Downloads 15
Quotes 0
Download Dissertation

Color and people's daily lives, because of color, people will feel the colorful life, and the things of the world will seem vibrant. As the aesthetic form one of the most popular form of color, it exists in every aspect of human life, and also co-exist with the development of human civilization. Nowadays, with the economic development of modern society, more and more people are gradually beginning to pay attention a colorful cultural world around us. Chinese painting is the crystallization of the wisdom of the Chinese people, it has one of the highest standards in the field of classical culture in the world, marking the Chinese civilization. The use of color in the painting as early as thousands of years ago, has been valued by the painters. For painters, the use of color visual aesthetic psychology angle cut into the painting, to better reflect and express their true feelings, making sense of the artistic and artistic implication largely improved, and so also able to meet the requirements and sensory needs of the modern aesthetic. However, there are still a lot of people think of Chinese painting of traditional ink painting, Chinese ink painting is the real Chinese painting, they Ink as the only standard of aesthetic and tasting of traditional Chinese painting, does not know that in the long history of thousands of years of Chinese painting in China the history of the development of painting, color has played how important role, it is important historical influence and positive role in the development of China's paintings. This shows that we must do a good job in the trajectory of the development of Chinese painting color analysis and combing, let the people understand this, especially those who are students learning Chinese painting. Therefore, should inherit the teaching philosophy and techniques of traditional painting, learning to strengthen the structure and color vision psychology of color screen should strengthen research on the psychology of contemporary visual understand law understanding of traditional and color. Color composition, artists constitute a combination of form and color by way of color to convey his thoughts, emotions, and symbolizes psychological feelings. At the same time the use of color is subjective and emotional. Chinese painting with color, the painter tend to always focus on emphasizing the atmosphere created by the screen tone, without objective images inherent color, so to be able to fully reasonable use to the coordination of the contrast between the color composition, making the screen to emphasize color effects, and highlight the need or strong, or elegant, or deep, or bright, which are to be reinforced by the painters' subjective awareness. Of course, these are applied to the color composition of the three elements of both lightness, purity and hue to complete. Understanding of the principle of color composition, composed of the elements and means of expression and other basic skills, to express their feelings and mood of the painter who played a crucial role. Chinese painting, the use of color composition is subtle and tactful, freedom without losing the role. This article attempts by the history of Chinese painting color use of the evolution of the basic course as well as an overview of the style of the introduction of paper, exploration and research of color constitute the basic principle and Chinese painting performance in the form, which designed a Chinese painting color teaching the case, and make relevant implementation of the teaching program. Practical significance of this research concluded, while Normal painting teaching the theory of reference.

Related Dissertations
More Dissertations