Dissertation
Dissertation > Art > Music > Instrumental music theory and performance of law > Keyboard, reed music theory and playing method > Piano

Analysis of Richard Strauss in E flat major for Violin and Piano Sonata \

Author ZhouXiaoBo
Tutor WangYaoLing;ZhouYaoQun
School Central Conservatory of Music
Course Instrumental Art Direction
Keywords Richard Strauss E-flat Major for Violin and Piano Sonata Work analysis Analysis of piano playing
CLC J624.1
Type Master's thesis
Year 2011
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Richard Strauss (Richard Strauss) is a the German Romanticism late last great a composer , conductor , pianist , but it is also one of the most important composers in the field of symphonic poems and title music . His music style and creative techniques marked the 19th century late Romanticism to the transition of the 20th century \exudes a unique charm . I selected this piece in E flat major for Violin and Piano Sonata Department for violin and piano , chamber works of Richard Strauss , performed more work . I learn and study the art of piano accompaniment , we naturally XIA Strauss creation characteristics , to analyze their understanding and perception of the play . This paper is divided into three chapters . Chapter I : General introduction to Richard Strauss 's life and creative characteristics . And a combination of years in this work , to explain the creation of works of home background . Chapter II : Analysis in E flat major for Violin and Piano Sonata creative background analysis of musical form , the first movement of the sonata form , and one by one the movement dotted rhythm like most typical neurotic type as the development of the entire movement center. The second movement , three - segment body musical form . With some impromptu the genre characteristics crushing figurations become dominant in the second movement . The third movement , swing the sonata form . Its high momentum deepest have to fire home the favorite . The piano texture is varied, and plays an important role in the entire music . Heavy piano part , the third chapter of Richard Strauss in E flat major for Violin and Piano Sonata in three movements of the piano part focus parse . And profit through their own learning experience , grasp the understanding of the works of Richard Strauss , piano and violin cooperation to elaborate how tacit , and propose how to achieve better co-ordination of both . I want to make it easier for people to understand a composer Richard Strauss , the 19th - century Romantic late last through to this piece of research and experience from the piano and violin cooperation charm .

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