Dissertation
Dissertation > Art > Music > Music theory and methods > Theory of voice production > Singing France

Analysis of the three - word art songs \

Author YuShanYing
Tutor ZhaoDengYing;SongZuo
School Central Conservatory of Music
Course Vocal Music
Keywords Schumann Liszt Anton Rubinstein You seem a flowers Concert Analysis
CLC J616.2
Type Master's thesis
Year 2011
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Schumann, Liszt, Anton Rubinstein is an important figure in the history of Western music. Them based on the poetry of the great German poet Heinrich Heine \the most widely used. Although the same word, however, with different music from a different point of view on this romantic verses have their own experience of the characteristics of emotional expression: creating a 3 \music to create a \these three same word different taste of art song concert performance of the song emotional tone application, the breath of processing, language processing, and with piano accompaniment echoes and other analysis that, in the expression of emotion, Shu Mann songs should grasp holy, pious tone; Liszt mainly to highlight the deep admiration; Rubinstein performance pure and there is no lack of passionate emotion. Three songs from the concert sound applications, Schumann's works should be warm and soft, concentrated and head voice more voice singing to reflect the pious and holy mood; Liszt's songs should be mildly lyrical, slightly bleak timbre concert; Rubinstein songs should be gentle and pure, mellow timbre concert to show their warm and enthusiastic emotional connotations. Schumann's songs use in the atmosphere, should use the gentle flow of breath-based; Liszt's songs should be deep breathing to get enough breath support; Rubinstein playful and gentle songs should be so soothing breathing song rich fluidity. Three songs piano accompaniment in the song with the vocal melody occupies an equal importance should maintain a vertical sense of music and piano in the mood on the full integration of the process of the concert; three art songs lyrics are sea Nirvana's German poem, in concert, in addition to the audible outside should be based on the German pronunciation law should be based on a combination of poetry and melody characteristics in each song language processing.

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