Dissertation > Literature > Chinese Literature > The body of literature reviews and research > Dramatic literature

The Research on Ajia’s Chinese Traditional Opera Theory

Author LvXiaoChun
Tutor HuangJian
School Fujian Normal University
Course Literature and Art
Keywords Artistic truth Real life Program Experience Performance Audience
CLC I207.3
Type Master's thesis
Year 2011
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The theater is the art of the stage , which is around the stage , the actors' performances , the audience has to be realized . Opera as well . A A Dramatic Theory herein as the different aspects of the opera stage , the actors and the audience . First of all , the concept of opera art , A A , the opera stage of true artistic truth , to distinguish it from real life . It is hypothetical , it is by the actor's \Secondly , A A opera performances on the basis of the Opera \Opera program is the actor deeply honored , four-step Five Pillars , and the time and space of the stage performance program . A A also believes that the program only on the basis of inheritance and innovation , in order to able to reflect modern life , in order to broaden their areas of performance , and ultimately make their own art can be passed . Again , the performers A A theoretical starting point for research . Opera performers is the experience combined with the performance of the dialectic . A A life experience of opera performances , psychological, program , as well as emotional experience, which is different from the experience of Stanislavsky . In addition, AA also believe that the the opera actors only experience on the basis of the character of the performance of the real opera performances . Finally, A A drama theory off the foot of the audience . Different from Brecht's \

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