Dissertation
Dissertation > Literature > Literary Theory > Literary aesthetics

Impact of Marcuse Art Form Theory over Chinese Literary Criticism Aesthetics Concept

Author FanLi
Tutor GaoMingXia
School Inner Mongolia University
Course Literature and Art
Keywords Marcuse art form theory Chinese literary criticism aesthetic concepts
CLC I01
Type Master's thesis
Year 2010
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Marcuse’s art form of thinking is carried out from two aspects:one is the study of classical Marxism; on the other hand, accepted the formalist aesthetics of the Enlightenment and the aesthetic experience. In the process of receiving the Russian formalism, Marcuse abandon their extreme tendency,gave a new meaning to the definition of the "form", believed the art of aesthetic form and content related to self-sufficiency as a whole. Ancient Chinese literature and art exist in a rich aesthetic forms of thinking; 54 times the form of writers and literary theorists explored and practiced on the issue of the art form; New Era, the creation of innovative ideas and criticism have become the art forms of Marcuse in the dissemination and application of China opportunity. Marcuse art form of communication in China can be divided into three stages. Marcuse art form theory, compared to other Western Marxist cultural theory, philosophy of profound significance in losing the same time, can effectively face the active phenomena of literature and art products for evaluation. Marcuse’s theory, after all, a product of Western cultural context of his theory and Chinese literature and art complex process of real contact occurs, it offers can learn the theory and methods of use, but also to us how to set up China’s own joint law of another Aesthetics and Art Criticism Purpose standards.

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