Dissertation
Dissertation > Art > Painting > Painting techniques > Chinese painting techniques

Theory Research and Practice of "Hit the Water and Hit the Powder Method" in the Chinese Painting in

Author LiangZuoYa
Tutor ChenQiHe
School Guangzhou University
Course Art
Keywords Hit the water and hit the powder water and color writing practice
CLC J212
Type Master's thesis
Year 2013
Downloads 17
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This paper mainly through the study of this technique into powder into water, and willback the inheritance and the development of pioneering the Chen in Mogu painting history.Through in-depth understanding of Erju hit water into powder foundation and development,to explore the style of the extreme, and inheritance and promote the development of modernpainting significance. Erju into water into the powder method is the inheritance andbreakthrough to the traditional boneless, its style in combination with fine brushwork andfreehand brushwork in traditional Chinese painting and opens up a new turning point, it is afusion of multiple starting point, makes the combination of control in the production processevery step of the emergence of more possibilities, accidental effects and rational production ofa fusion process. In recent years, national Chinese Painting Exhibition National Art Exhibition,using water impact into powder painter meet the eye everywhere, among them, useful as mainperformance techniques, but also as auxiliary techniques; have the performance of the centerof the main, but also as a supplementary background performance techniques, the painter isbecause using this technique is able to achieve their hearts desire, is hitting the water into thepowder method of controllability and natural texture can be unpredictable with their aestheticrequirements in the process of artistic creation. Today, it is still in an endless vitality, tractionwe continue to move forward, hit the water into the powder method’s emergence anddevelopment, enrich the Chinese painting techniques, in the rich variety of technique at thesame time, but also more conducive to bring forth the new through the old, also be abovesuspicion doubt to promote Chinese painting constantly new the development of. This articleattempts from the "hit the water into the powder" this one angle, discusses its research valueand some experience in practice and application.

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