Dissertation > Art > Dramatic Art > National dramatic art > Opera

Opinion on the Characterization of Micaela in the Opera "Carmen" by Bizet

Author MaYaZuo
Tutor ChenQiLian
School Shanghai Conservatory of Music
Course Musicology
Keywords Opera Carmen Micaela Characterization Concert analysis Physical performance
CLC J832
Type Master's thesis
Year 2010
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\Strong dramatic conflict, unique Spanish folk music style, rich harmonies and orchestration techniques, the distinctive character shape conquered the worldwide audience, Bizet just one of the world-famous composer of an opera columns. This is a comic opera in the form of realism opera, a milestone in opera history of the development in France and Europe. In this opera, Bizet shape a lifelike characters: male and female Carmen and Don Jose, Micaela, matador. Micaela's fiancee as Don Jose in Carmen opposites in the play, the original figure as radiant as Carmen, but she was gentle and kind characters and classic aria so she become an indispensable figure in the whole opera. In this paper, based on Bizet's opera \Text by the introduction, the article the main part of four chapters and epilogue. Preface meaning and Research topics. Specific article the main four chapters: The first chapter introduces Bizet's life and music creation features; Second Chapter of the opera \Creative background with the creative process of the first section of the opera \Chapter Micaela character and music, respectively, from Micaela shy naive, gentle and kind and brave and strong character traits and psychological changes are discussed and specific analysis of its musical language, my personal understanding of music; fourth chapter discusses Micaela play the main concert aria analysis, which is the key part of the thesis is divided into four sections specifically addressed. The first section is the exposition of Micaela part of the role of features and Timbre, section II is the fourth chapter focuses on chapter Micaela aria concert, on the aria \I said I was not afraid of anything and Micaela and Don Jose duet singing skills and artistic treatment of a specific analysis has infiltrated the author's experience in the actual concert, the third quarter portrayed body performances, I respectively from the \three skills. Conclusion artistic features of the opera \

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