In the Film the Game Machinima Movies: Zhang Jianya Film Studies
|Keywords||Zhang Jianya fifth generation post-modernism Shanghai film geography|
Zhang Jianya, Chinese famous director. Because of his movie text throughout the customary fifth directors works, so someone inside appear maverick say he can’t count the real fifth directors. In 1980s, fifth generation as a style distinctive creation group sudden rise, Zhang Jianya, as the fifth generation during the same period, but the filmmakers appear individual and this group formed the great differences between, he insisted on comedy film, he is the only one in the fifth generation who has a director took comedy movies, he likes making difficulty, he is concerned about the challenges audiences like look, look well, look happy. In addition, Zhang Jianya, movies with strong in the form of postmodern features, even for comedy movies, he will also stressed that his film is farce, not "a comedy. Meanwhile, Zhang Jianya the cognitive also for thematic film distinguished from other fifth directors, he stressed that "we more commercial, theme, want to have fun, we themes, plots, characters will have fun, more will have on film devices for gout, technology is interesting and with."In addition, Zhang Jianya, is defined as an important representative of Shanghai film. Therefore, in the cultural geography, under the lead of cognitive Zhang Jianya, and the formation of the fifth and clarify the whole style with Beijing, Shanghai style with Zhang Jianya, mutual reflect on the fifth of the scene, this will also be one of this paper the innovation points.This thesis mainly is to through to the special Zhang Jianya, director of the life experience and film experience arranges and summarizes characteristics for forming self expression, achieve the image of Zhang Jianya works have special meaning of the deep roots of cognitive. Through to Zhang Jianya comb and films to read, achieve the overall reflection film Zhang Jianya, thus feedback to the whole director intergenerational up in the general ideas for the first generation of Zhang Jianya, thus forming a kind of three-dimensional five movies and cognition.