Dissertation > Art > Music > Instrumental music theory and performance of law > Keyboard, reed music theory and playing method > Piano

The Research of Fourth Piano Sonatas of Scriabin

Author NiXiaoYun
Tutor LiMin
School China Conservatory of Music
Course Musicology
Keywords Scriabin Fourth Sonata Piano Recital Mysticism
CLC J624.1
Type Master's thesis
Year 2011
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Scriabin is the end of the 19th century, the early 20th century, the famous Russian composer, pianist, in the history of musical development, he is across late romanticism and modern music composer, his ideas, religion, philosophy, art, philosophy and The synesthesia try, is unique in the composer, the pioneers of the Russian Impressionist music. Scriabin life works created numerous early works mainly imitate the tactics of Chopin composed many sketches, and tradition in the writing style of the 19th century Romantic style. The medium works began to form their own creative style, philosophy and religious thought into the works, began to explore the mysticism of the music itself works also reflect some unique style of Russian national. The late works basically established to form their own unique system, establish a \the late piano works, embodies its own unique concept of mysticism, his music became his philosophy, literature, religion and art art embodies. Unique creative style of the late works of Scriabin, reflect the thinking of music is unique, his work has also affected to a considerable extent the development direction of modern music. On the other hand, due to the unique style of his late works, breaking the shackles of traditional tonality, but also increase the technical difficulty of playing. Only by understanding his work, to be able to play his works. Representative works of the transition of this article to Scriabin Sonata as the research object. First, through to fully explore his family background, cultural background, upbringing, to interpret his music style as well as the style of the formation of the reason. In this context, combined with the experience of playing first analysis of the musical structure of the work, found that the works are relatively free of the structure, but the two movements have a very close intrinsic link emotions complementary melody connection fluency: Second analysis of the characteristics of the rhythm of the work, and found the complex rhythms of the work from the auditory gives the feeling of flying a trance, this only reflects his creative philosophy, that is, from the music to get full freedom. Of this paper is to analyze from the perspective of playing for the other players play better the work can also provide some insights and suggestions.

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