Dissertation
Dissertation > Art > Music > Music theory and methods > Theory of voice production

On the folk singing in the \

Author MaDan
Tutor LiYingXia
School Northwest University for Nationalities
Course Musicology
Keywords Folk song Concert Language Features Runqiang Tips
CLC J616
Type Master's thesis
Year 2010
Downloads 135
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"Embellish chamber" is our country the traditional singing skills in an important part, it has a special role in vocal music singing. As our country folk music unique phenomenon, preserving and inheriting the essence of traditional music, it is one of the most can reflect national style forms. Moist chamber has provided a broad space for development of national vocal music, is a prominent feature of Chinese national music and distinctive mark. Cavity is the singer will be "death note" change "live" piece of creative process. National vocal music learning, therefore, not only to grasp the principle of voice and singing skills. Also works in response to sing singing style, characteristic, aesthetic feeling of art charm beauty factors to understand and grasp them. Only very good master embellish cavity skills, and apply it accurately and flexibly to sing, sing to give fresh vitality, so as to form their own special singing style and characteristic. This article tries from the folk song singing wetting chamber of language foundation, the folk song singing in the cavity, the formation of the individual character style, folk song singing yun cavity feature of rich and varied music rhythm, etc, analysis, and combined with the practice of singing, the case analysis part has the characteristics of the folk song works.

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